IN THE JUNGLE (2017, 63 min, digital. With Cricket Arrison (of Wham City) and M.C. Schmidt (of Matmos).) Stephanie Barber has achieved the rare feat of carving out a cinematic (or more properly speaking, media-spanning) realm entirely her own. Equally attuned to the nuances of the moving image and of language, her short and occasional feature-length film and video works meld together elements of photography, poetry, music, and live performance, and display a sensibility that’s at once comical, lyrical, and melancholy. Her latest piece, IN THE JUNGLE playfully and sorrowfully tells the tale of an unreliable narrator in a self-imposed exile. Given a grant to study the equivalent of animal cries and whines in jungle flora, our heroine has lived for 1,612 days deep in an unnamed jungle. This jungle serves as an extended metaphor for excessive and continual growth and death and fear and sustenance, a metaphorical space of chaos in which the scientist finds solace and which stands in contrast to the human jungle of ‘civilization.’ Is IN THE JUNGLE – which grew out of a live performance – a filmed document of a theater piece, a musical, a poetic lecture, or some combination of a… (read more)
Transangelic Exodus, Ezra Furman’s second album for Bella Union, is a new landmark for the American singer-songwriter: "not a concept record, but almost a novel, or a cluster of stories on a theme, a combination of fiction and a half-true memoir," according to its author. "A personal companion for a paranoid road trip. A queer outlaw saga." The music is as much of an intense, dramatic event, full of brilliant hooks, with an equally evolved approach to recorded sound to match Furman’s narrative vision. In honour of this shift, his backing band has been newly christened: The Boy-Friends are dead, long live The Visions. In other words, the man who embodies the title of his last album Perpetual Motion People is still on the move… Or in the vernacular of the new album, on the run. "The narrative thread," Furman declares, "is I’m in love with an angel, and a government is after us, and we have to leave home because angels are illegal, as is harbouring angels. The term ‘transangelic’ refers to the fact people become angels because they grow wings. The have an operation, and they’re transformed. And it causes panic because some people think it’s contagious, or it should just be out… (read more)
An exciting showroom display is planned for InterHall’s premiere location (IHFC IH102) during the spring market.
Business people are famous or should I say notorious of their distorting skills, to say it politely. With Jeff Bezos owing the Washington Post, you can be sure you will never ever hear the truth from mainstream media. I rest my case.
HOW THE WEST WAS WON In the hands of certain songwriters, a story of resurrection and redemption might ring a little hollow. Worse, it might sound like pseudo-messianic psychobabble. But when the songwriter is Peter Perrett, the usual rules have never applied. Perrett, whose incisive songcraft and sardonic drawl made him one of the most distinctive voices of the Seventies (and briefly, the Nineties), has indeed got a tale of resurrection and redemption to tell. And even if he’s telling it with copious doses of his trademark deadpan wit, the miracle is that he’s telling it at all. Perrett made his reputation in The Only Ones (1976–1981) by writing about – and living – a life of the utmost decadence without worrying too much about the consequences. "I always flirt with death," began his most famous song (‘Another Girl, Another Planet’), "I look ill but I don’t care about it." It was an exotic universe full of strange creatures, but an incredibly dangerous one to inhabit. Not once but twice, Perrett retreated into a hermetic haze and transmitted nothing but radio silence for ten years. The two decades of his life that were surrendered to drug addiction were his own business, of… (read more)
“We sell about 12,000 tickets, and at the Snow Ball in November, we give the home and car away. All of the tickets are audited and accounted for as they go into the giant drum, and we spin it on stage at the ball. Year-to-year we have someone independent that draws the winner. It’s fun to have the winner in the room (since) they are usually in shock. Some fantastic people have won over the years.”
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One of the most difficult aspects of fighting together is being able to view the battlefield the same way and to communicate and carry out commands led by another country or countries.
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NEW YORK â How do you measure a chickenâs happiness? Is it in the way it runs for food? How…
Words: Hip Hop & Poetry Showcase & Open Mic with Wiseguy and Gaston – Nuyorican Poets Café February 17, 2018 – New York
It was a long time ago, I had a 3,200 pound VW wagon. They’ve since climbed close enough to TM3’s weight, that weight-location may become the deciding factor.
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